An interview with Quasar Thakore Padamsee, in which the director talks about his latest work with Aadyam — a production of Bertolt Brecht’s Mother Courage and Her Children
You’ve added the tag line, Everybody Loves a Good War. The irony seems almost self-explanatory.
Toral (Shah) suggested it (It’s a reference to P Sainath’s book). I think it’s something the play does. It talks about the so-called benefits of war, the madness of it, and how everyone is looking to survive. If you actually take a look at it, all fascist agencies ‘love a good war’, because it breeds nationalism, and economically it simulates industry in many ways.
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An archival interview with Namit Das, in which the actor-singer of the Mumbai stage looks back at his musical legacy.
What are your earliest memories of music?
My earliest memories take me back to Mahim, to the house where we used to stay, Makrand Seh Niwas. It was the first house we had shifted into, as paying guests, when my father (ghazal singer Chandan Dass) arrived in Mumbai. Everything took place with the sea as a backdrop — my father’s riyaaz, my trying to mimic him on the ‘baby harmonium’ that my mother (Yamini Dass) had bought me.
Continue reading “Namit Das: Music in His Veins”